I've been lucky enough to work in the motorcycle sector over the past several years, having worked with Indian, BMW, Triumph and many others. When Triumph offered me a bike for a personal project, I jumped at the chance. 

 I've been creating motion work for the past several year and wanted to hone my craft further, working with a strong team to deliver a killer project. I spent weeks with my dop, Stephen Marino, developing a story that felt personal, yet able to reach out to a large audience that has felt more and more trapped in the world of technology and work from home culture. I felt the desire to commune with nature, to touch grass, smell fresh air, to feel in tune with the world. I reached out to the writer Fabienne Lang to help me put a voice to this project. Together, we worked on the script for the VO and her accent played perfectly for it as well. 

After production, we got it into the hands of Chris Kursel (edit), Elias Nousiopoulus (color) and Mad Sounds (obvious), we brought to the world with great reception. The project was shortlisted at Berlin Commercial Film Festival for direction.